Hound in the Hunt

October 31, 2016

That Obscura Object of Desire; a Verisimilitude of Truth?

While working up my next post, thought I’d leave this article from the MONA blog. (It’s worth watching the documentary, ‘Tim’s Vermeer’ by way of background.) Putting aside David’s Walsh’s ego, the post covers a fascinating if meandering discussion between David, Tim Jenison and interviewer Elizabeth Pearce. It touches upon a range of subjects, which I posit as generally concerning the verisimilitude of truth in art, science & anthropology?

Mona Blog

In the gallery at Mona, there is an exhibition-experiment taking place, called Hound in the Hunt. Read more about it here, and also – for the enthusiastic – watch the documentary Tim’s Vermeer, and get your hands on our big, beautiful book as well (online, in our bookshop, or in the library, for free).

The following is a conversation between David Walsh and Tim Jenison about Vermeer, Viagra, and the nature of genius. (Interviewed by Elizabeth Pearce, with a cameo appearance by Mona curator Jarrod Rawlins.)

Hound in the Hunt Photo Credit: Mona/Rémi Chauvin Image Courtesy Mona, Museum of Old and New Art, Hobart, Tasmania, Australia Hound in the Hunt
Photo Credit: Mona/Rémi Chauvin
Image Courtesy Mona, Museum of Old and New Art, Hobart, Tasmania, Australia

Elizabeth Pearce: David, in the exhibition catalogue for Hound in the Hunt, you write that even if you don’t give a shit about art you should watch Tim’s Vermeer, because it will teach you how to learn. What did…

View original post 13,959 more words

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: